Entreated to tell his side of the story to a detective who put him in prison a decade earlier for a murder he may not have committed, Oliver Marks describes his past as a Shakespearean actor in college whose rivalry with a castmate escalated in dangerous ways.

In 1982 in a southern city, David and Sarah, two freshmen at a highly competitive performing arts high school, thrive alongside their school peers in a rarified bubble, devoting themselves to their studies - to music, to movement, to Shakespeare and, particularly, to classes taught by the magnetic acting teacher Mr. Kingsley. It is in these halls that David and Sarah fall innocently and powerfully into first love. And also where, as this class of students rises through the ranks of high school, the outside world of family life and economic status, of academic pressure and the future, does not affect them - until it does, in a sudden spiral of events that brings a startling close to the first part of this novel.

This novel is darkly funny like Killing Eve. Korede is bitter. How could she not be? Her sister, Ayoola, is many things: the favorite child, the beautiful one, possibly sociopathic. And now Ayoola's third boyfriend in a row is dead.

Fleeing Brooklyn with little more than a suitcase and her trusty dog, Lucy King heads to rustic Woodstock, New York, eager to lose herself in a quiet life where her past can never find her. But when she meets Vera and John, the alluring couple next door, their friendship proves impossible to resist. Just as Lucy starts to think the worst is behind her, the couple delivers a staggering bombshell: they, too, need to escape their troubles--and the only way they can begin their new life is if Lucy helps them fake John's death. Afraid to lose her newfound support system, Lucy reluctantly conspires with them to stage an "accidental" death on a hike nearby. It's just one little lie to the police, after all, and she knows a thing or two about the importance of fresh starts. But what begins as an elaborate ruse turns all too real when John turns up dead in the woods the morning after their hike. Now, Lucy must figure out who she can trust and who's pulling the strings of her tenuous new life . . . before she takes the fall for murder

One of the most recognizable young poets in America, Olivia Gatwood dazzles with her tribute to contemporary American womanhood in her debut book, New American Best Friend.

Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz's brilliant second collection demands that every body carried in its pages--bodies of language, land, rivers, suffering brothers, enemies, and lovers--be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness.