Selin, a tall, highly strung Turkish-American from New Jersey turns up at Harvard and finds herself dangerously overwhelmed by the challenges and possibilities of adulthood. She studies linguistics and literature, teaches ESL and spends a lot of time thinking about what language - and languages - can and cannot do. Along the way she befriends Svetlana, a cosmopolitan Serb, and obsesses over Ivan, a mathematician from Hungary. The two conduct a hilarious relationship that culminates with Selin spending the summer teaching English in a Hungarian village and enduring a series of surprising excursions. Throughout her journeys, Selin ponders profound questions about how culture and language shape who we are, how difficult it is to be a failed writer, and how baffling love is.

In an American suburb in the early 1980s, students at a highly competitive performing arts high school struggle and thrive in a rarefied bubble, ambitiously pursuing music, movement, Shakespeare, and, particularly, their acting classes. When, within this striving "Brotherhood of the Arts," two freshmen, David and Sarah, fall headlong into love, their passion does not go unnoticed -- or untoyed with -- by anyone, especially not by their charismatic acting teacher, Mr. Kingsley. The outside world of family life and economic status, of academic pressure and of their future adult lives, fails to penetrate this school's walls -- until it does, in a shocking spiral of events that catapults the action forward in time and flips the premise upside down. What the reader believes to have happened to David and Sarah and their friends is not entirely true -- though it's not false, either.

Sally Jay Gorce is a woman with a mission. It's the 1950s, she's young, and she's in Paris. Having dyed her hair pink, she wears evening dresses in the daytime and vows to go native in a way not even the natives can manage. Embarking on an educational programme that includes an affair with a married man (which fizzles out when she realises he's single and wants to marry her); nights in cabarets and jazz clubs in the company of assorted "citizens of the world"; an entanglement with a charming psychopath; and a bit part in a film financed by a famous matador. But an education like this doesn't come cheap. Will our heroine be forced back to the States to fulfill her destiny as a librarian, or can she keep up her whirlwind Parisian existence?

Thirty-year-old Millie just can't pull it together. Misanthropic and morose, she spends her days killing time at a thankless temp job until she can return home to her empty apartment, where she oscillates wildly between self-recrimination and mild delusion, fixating on all the little ways she might change her life. Then she watches TV until she drops off to sleep, and the cycle begins again. When the possibility of a full-time job offer arises, it seems to bring the better life she's envisioning, one that involves nicer clothes, fresh produce, maybe even financial independence, within reach. But with it also comes the paralyzing realization, lurking just beneath the surface, of just how hollow that vision has become. Darkly hilarious and devastating, The New Me is a dizzying descent into the mind of a young woman trapped in the funhouse of American consumer culture.

Fairy-tale romances end with a wedding, and the fairy tales don't get complicated. In this book, celebrated writer Mr. Fox can't stop himself from killing off the heroines of his novels, and neither can his wife, Daphne. It is not until Mary, his muse, comes to life and transforms him from author into subject that his story begins to unfold differently. Mary challenges Mr. Fox to join her in stories of their own devising; and so, through different times and places, the two of them seek each other, find each other, thwart each other, and try to stay together, even when the roles they inhabit seem to forbid it.

In "Center of the Universe," God struggles to balance the demands of his career with the needs of his long-term girlfriend. In "Magical Mr. Goat," a young girl's imaginary friend yearns to become "more than friends." In "Unprotected," an unused prophylactic recalls his years spent trapped inside a teen boy's wallet. The stories in Simon Rich's new audiobook are bizarre, funny, and yet ... relatable. Rich explores love's many complications-losing it, finding it, breaking it, and making it-and turns the ordinary into the absurd. With razor-sharp humor and illustrations, and just in time for Valentine's Day, Rich takes listeners for an exhilarating, hilarious ride on the rollercoaster of love.

Each of the six stories in Your Duck is My Duck has the heft and complexity of a novel. With her own inexorable but utterly unpredictable logic and her almost uncanny ability to conjure the strange states of mind and emotion that constitute our daily consciousness, Eisenberg pulls us as if by gossamer threads through her characters--a tormented woman whose face determines her destiny; a group of film actors shocked to read a book about their past; a privileged young man who unexpectedly falls into a love affair with a human rights worker caught up in an all-consuming quest that he doesn't understand.

Claire is magnetic. On the cusp of adulthood and letting go of her adolescence one miserable responsibility at a time, she's moved from London to San Francisco to work toward her PhD and minor in cheap whiskey, pour-over coffee, and guys who can't be bothered to shower. When she finds out she's pregnant by a heartsick ex-boyfriend, the solution seems clear, if only to her. Kira is a talented thirteen-year-old Russian gymnast who leaves her traditional family to travel to America. Elise and Jenni, two Australian high school students, seek asylum from the hooking up and heavy drinking they've been doing for years by reenrolling in their childhood summer camp. Over the course of nine loosely connected stories, Hot Little Hands introduces us to young women, at once clever and naïve, who struggle to navigate the chronic uncertainty and very real dangers that come with being impatient for the future and reluctant to leave childhood behind.

When her city falls to the Greeks, Briseis's old life is shattered. She is transformed from queen to captive, from free woman to slave, awarded to the god-like warrior Achilles as a prize of war. And she's not alone. On the same day, and on many others in the course of a long and bitter war, innumerable women have been wrested from their homes and flung to the fighters. The Trojan War is known as a man's story: a quarrel between men over a woman, stolen from her home and spirited across the sea. But what of the other women in this story, silenced by history? What words did they speak when alone with each other, in the laundry, at the loom, when laying out the dead?

From an internationally acclaimed novelist, the suspenseful and heartbreaking story of a family ripped apart by secrets and driven to pit love against loyalty, with devastating consequences. Isma is free. After years of watching out for her younger siblings in the wake of their mother's death, an invitation from a mentor in America has allowed her to resume a dream long deferred. But she can't stop worrying about Aneeka, her beautiful, headstrong sister back in London, or their brother, Parvaiz, who's disappeared in pursuit of his own dream, to prove himself to the dark legacy of the jihadist father he never knew. When he resurfaces half the globe away, Isma's worst fears are confirmed. Then Eamonn enters the sisters' lives. Son of a powerful political figure, he has his own birthright to live up to--or defy. Is he to be a chance at love? The means of Parvaiz's salvation? Suddenly, two families' fates are inextricably, devastatingly entwined, in this searing novel that asks: What sacrifices will we make in the name of love?